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Today's featured article

This star symbolizes the featured content on Wikipedia.
This star symbolizes the featured content on Wikipedia.

Each day, a summary (roughly 975 characters long) of one of Wikipedia's featured articles (FAs) appears at the top of the Main Page as Today's Featured Article (TFA). The Main Page is viewed about 4.7 million times daily.

TFAs are scheduled by the TFA coordinators: Wehwalt, Gog the Mild and SchroCat. WP:TFAA displays the current month, with easy navigation to other months. If you notice an error in an upcoming TFA summary, please feel free to fix it yourself; if the mistake is in today's or tomorrow's summary, please leave a message at WP:ERRORS so an administrator can fix it. Articles can be nominated for TFA at the TFA requests page, and articles with a date connection within the next year can be suggested at the TFA pending page. Feel free to bring questions and comments to the TFA talk page, and you can ping all the TFA coordinators by adding "{{@TFA}}" in a signed comment on any talk page.

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From today's featured article

Giant anteater

The giant anteater is a large insectivorous mammal native to Central and South America. It is one of four living species of anteater and is classified with sloths in the order Pilosa. This species is mostly terrestrial, in contrast to other living anteaters, which are arboreal or semi-arboreal. It is the largest of its family, stretching 182–217 cm (5.97–7.12 ft) and weighing 33–41 kg (73–90 lb) for males and 27–39 kg (60–86 lb) for females. It is recognizable by its elongated snout, bushy tail, long foreclaws and distinctively colored pelage. The anteater's habitats include grassland and rainforest and it feeds primarily on ants and termites, using its foreclaws to dig them up and its long, sticky tongue to collect them. The giant anteater is listed as vulnerable by the International Union for Conservation of Nature. Threats to its survival include habitat destruction and hunting. The anteater has been featured in pre-Columbian myths and folktales, and modern popular culture. (Full article...)

From tomorrow's featured article

The Suicide of Rachel Foster

The Suicide of Rachel Foster is a 2020 adventure video game developed by One-O-One Games and published by Daedalic Entertainment. It focuses on Nicole Wilson returning to her family's hotel ten years after she and her mother left, once her father's affair with the teenaged Rachel Foster was discovered, who then killed herself while pregnant. Trapped in the hotel due to a snowstorm, Nicole seeks to uncover the mystery of Rachel's suicide. Borne out of the studio's desire to create a horror game relying on suspense over monsters, it was set in a hotel to elicit fear and claustrophobia in players. The developers sought professional advice to portray topics like child sexual abuse and suicide compassionately. Released on Windows, PlayStation 4, Xbox One, and Nintendo Switch, the game received mixed reviews. The handling of child sexual abuse and suicide was heavily criticized, particularly over an interactive suicide attempt. A sequel, The Fading of Nicole Wilson, is set to be released in 2025. (Full article...)

From the day after tomorrow's featured article

Look 44 presented at Lee Alexander McQueen: Mind, Mythos, Muse at Musée national des beaux-arts du Québec
Look 44 from the collection

What a Merry-Go-Round is the eighteenth collection by British fashion designer Alexander McQueen, made for the Autumn/Winter 2001 season of his eponymous fashion house. The collection drew on imagery of clowns and carnivals, inspired by McQueen's feelings about childhood and his experiences in the fashion industry. The designs were influenced by military chic, cinema such as Nosferatu (1922) and Cabaret (1972), 1920s flapper fashion and the French Revolution. The palette comprised dark colours complemented with neutrals and muted greens. The collection's runway show was staged in February 2001 and was staged in a dark room with a carousel at the centre. It was McQueen's final show in London. Sixty-two looks were presented in the main runway show. Critical response to the collection was generally positive, and it has attracted some academic analysis for the theme and messaging. It served as a critique of the fashion industry, which he sometimes described as toxic and suffocating. (Full article...)